The ontology of works of art does not map neatly on to these classifications, however. In the plastic arts, a wide variety of media and structures are used. In music and drama, not all works are for performance; for instance, tape compositions and theatrical films are not. Not all works of a kind are organized at the same levels, and higher
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An ontology of art, Gregory Currie. Resource Information The item An ontology of art, Gregory Currie represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Brigham Young University. This item is available to borrow from 1 library branch.
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In English-language philosophical publications, the earliest reference to the tale and to its implications for the ontology of art appears in Savile’s (1971) essay on Goodman’s Languages of Art (for background, see the entry on Goodman’s aesthetics). Subsequent references to the story’s philosophical implicati See more
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Rejecting Goodman's distinction between autographic and allographic arts, and the dualistic ontology based upon it, the author attempts to construct a.
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an ontology for a subset of art. Influenced by the recent interest in colours and colouring materials, mainly shared by French researchers and linguists, an ontology prototype has been developed to organize and catalogue information about artists, art works, colouring materials and related colours. The aim of the present ontology is
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Ontologists offer a map of reality, one divided into such broad, overlapping territories as physical and mental, concrete and abstract, universal and particular. Such a map provides the setting
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Contemporary Artist, Metaphysics, Surrealist, Geometric. Creations of worlds beyond of the incomprehensible. Every time you draw, we create a new world, parallel to us
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Welcome to ONTOLOGY A dive into the artist's soul, celebrating the sensual, the wild, the imaginative, and the erotic nature of the mind. Fine Art at Your Fingertips About
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The artist's sanction in contemporary art. 2005, Journal of Aesthetics and Art Criticism 63 (4):315-326. Categories: Aesthetics, Ontology of art,
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I will argue that curated exhibitions are an ontological hybrid: a combined ontological entity. The hybrid theory maintains that a curated exhibition comprises
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Timothy Morton Features 10 December ArtReview. Chris Wainwright, 'Red Ice', , c-type print. Courtesy the artist. From the ArtReview archives: one of the thinkers associated with 'object-oriented ontology' argues that we've been thinking wrongly about art since the beginning of the Anthropocene. For object-oriented ontology
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ART, ONTOLOGY OF Ontology is concerned with what exists. So one may think the ontology of art is concerned with whether artworks exist.
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An Ontology of Art book. By Gary P. Bagnall. Book Law as Art. Click here to navigate to parent product. Edition 1st Edition. First Published 1996. Imprint Routledge. Pages 30. eBook ISBN
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The Ontology of Art (study 1) ( ) oil on linen 24x48 inches ZOOM + Aesthetics of Taste vs. Aesthetic Attitude ( ) oil on linen 16 x 38 inches ZOOM + A Brief study in the Axiology of
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During the Nineties, the diffusion of information and communication technologies allowed a dramatic transformation in art practices.
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Ontology is the study of the kinds of things there are in the world. The ontology of art considers the matter, form, and mode in which art exists.
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The Ontology for Media Art (OMA) is a special ontology to be published in the Finto vocabulary service in three languages (fi, sv, en). Media art terms from the ontology will also be matched with and added to Wikidata to benefit the international community.
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Instructive surveys of the subfield of aesthetics known as the ontology of art are fairly plentiful; see Nicholas Wolterstorff (1992), Gregory Currie (1998, ), Joseph Margolis (1998), Stephen Davies (2003a), Amie Thomasson (2004, 2006b), Guy Rohrbaugh (2005), Theodore Gracyk ( ), Robert Stecker ( ), and Carl Matheson and Ben Caplan
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May 23, · The term ontology in information science arises from philosophy where it represents “the science of what is” (Smith 2004, p. 155).More specifically, the concept of the kinds and structures of objects, properties, events, processes, and relations in every area of reality (Smith 2004) is used to add meaning in the context of information science.. In philosophy,
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The aim of this paper is to show that the ontology of artworks, as traditionally understood, may draw valuable theoretical inspiration from the latest manifestations of artistic activities which often go beyond art traditionally recognised as such by the institutional art world. Artification — that is combining art with non-art — is an example of this phenomenon. The goal is achieved in
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Determining the ontological status of works of art involves determining the conditions under which a work of art comes into existence, remains
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